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About The Author - ƒαjαr rαмαdнαn
Bio: mostly about movies and series

Resume: After splitting with the Joker, Harley Quinn joins superheroes Black Canary, Huntress and Renee Montoya to save a young girl from an evil crime lord 6,5 of 10 Star 2020 Actor: Rosie Perez directors: Cathy Yan Free Full Birds of Prey: And the Fantabulous Emancipation of One Harley quinnipiac. Exactly what the DCEU needs. Birds of Prey is now in theaters, where it's expected to have a very successful opening weekend at the box office. You can read on for our full review to get an idea of what to expect, and make sure to also check out our feature on its after-credits scene and look at whether it has a Suicide Squad connection. Birds of Prey--or, more formally: Birds of Prey and the Fantabulous Emancipation of One Harley Quinn--had a lot stacked against it from the jump. For years, it seemed locked in its own special development hell after its titular character, Harley Quinn ( Margot Robbie), got off to a rough start with the critical and box office flop Suicide Squad. And with movies like Wonder Woman, Aquaman, and Shazam providing an altogether different energy that was wholly disconnected from just about everything Justice League and before in the DCEU, fans were left wondering whether there was room for Harley Quinn in this new era of the DCEU. The answer, it turns out, is simple, and written in huge, blood-splattered neon paint across the big screen by director Cathy Yan: Yes, absolutely. Birds of Prey is a joyfully violent and clever romp through the streets of a Gotham City that is unlike anything we've seen in the DCEU, past or present--and what's more, it serves as an unexpected bridge between old and new, pulling bits and pieces from the ghosts of movies fans would rather forget and remixing them into something that feels fresh and brimming with a sense of forward momentum. Birds of Prey tells the story of Harley's life after she broke up with the Joker--or, perhaps more accurately, after the Joker broke up with her --and weaves it in with a slew of fresh faces. Harley's not exactly thrilled to be living life solo and is handling it with typical Harley flair--lots of drinking, some Roller Derby, a dash of property damage and assault, the works. Her tailspin finds her regularly languishing in the private club of Roman Sionis ( Ewan McGregor), AKA Black Mask, a not-so-secret criminal overlord who has only barely tolerated Harley's antics under the assumption that the Joker is protecting her. But with Joker out of the equation, Sionis, along with every other cop, criminal, or otherwise Harley-aggrieved Gothamite, realizes it's open season on the Clown Queen of Crime. This rather unfortunate turn of events sweeps Renee Montoya ( Rosie Perez), one of the last good police on the force, into the picture as she tries to build a case against Sionis. Her informant, Dinah Lance AKA Black Canary ( Jurnee Smollett-Bell), who has been working as a singer at Sionis's club, is similarly pulled into the chaos in Harley's wake. The two of them wind up on a collision course with teenage pick-pocket Cassandra Cain ( Ella Jay Basco) after she accidentally nicks something of great value from Sionis's right-hand man, Victor Zsasz ( Chris Messina). Thankfully, Cass's poorly timed sticky fingers give Harley a chance to barter her way off of Sionis's kill list--but not before a Gotham City newcomer, Helena Bertinelli ( Mary Elizabeth Winstead), who calls herself Huntress (a name that just won't seem to stick, much to her chagrin) joins the fray. Bertinelli isn't specifically out for Harley or Sionis, but she's more than happy to cut anyone down if they get in the way of her plot for revenge. Birds of Prey cleverly assigns each of its characters a specific film genre to keep them distinct from one another. Montoya has stepped out of an '80s cop drama with over-the-top dialogue to match. Lance is from a sexy crime thriller--she feels almost like a James Bond femme fatale. Cain is the scrappy, bubble-gum cracking street kid from the world's most R-rated take on Newsies. Bertinelli believes herself to be the protagonist of a deadly serious samurai flick but just can't seem to get anyone to buy what she's selling. Meanwhile, both Sionis and Zsasz are doing their best take on Scarface by way of a flamboyant comedy. The entire ensemble delivers on their assigned tropes, absolutely committed to their respective bits to spectacular effect. McGregor and Winstead's laugh-out-loud melodrama are standouts next to Robbie herself, who gives Harley every possible ounce of manic Looney Tunes-flavored energy she has. Throughout the movie, Harley regularly breaks the fourth wall to announce details directly to the audience, rewind the story, shuffle the order of events, or throw in her typical brand of off-beat, raunchy humor. Stylistically, the comparisons to Fox and Marvel's Deadpool movies can't be missed. After all, both Harley and Wade Wilson exist in a similar niche within superhero comics as wise-cracking, irreverent meta-jokesters and anti-heroes. But, if anything, while Deadpool focuses its jokes on commentary about the superheroes, Birds of Prey gleefully participates in the genre. It's not really trying to say anything, but that's OK. The movie is having way too much fun with itself to try and make a bigger point about blockbuster franchises or to have an opinion on the Marvel vs. DC rivalry. It also deftly avoids plucking at any low-hanging DCEU fruit. Birds of Prey is definitely a movie that exists thanks to films like Suicide Squad--Robbie's Harley wouldn't be here without it, and the movie never tries to pretend otherwise--but it's not interested in making anyone relive those earlier movies more than they need to, even for the sake of a punchline. Instead, Birds shakes down the stories that came before it for loose exposition and barrels on, full steam ahead. But surprising, fresh humor and self-awareness aren't the only things Birds has on offer. The aforementioned ultraviolence comes care of some truly outrageous fight scenes. A car chase on roller skates? Check. A police evidence locker brawl that ends in a cloud of cocaine while a remix of Ram Jam's Black Betty blares? Check. A massive showdown in the world's coolest funhouse? Check, check, and check. The influence of John Wick franchise director Chad Stahelski, who came in at the behest of Cathy Yan to help punch-up (pun intended) the combat, couldn't be more obvious, and the movie is better for it. These are some of the most fun-to-watch fight scenes the superhero genre has showcased thus far, and with any luck, they'll go on to inspire the next generation of R-rated cape-and-cowl madness. The one notable sticking point Birds of Prey runs into is a poor sense of pacing. Harley's non-linear storytelling is funny, sure, and while it does work in the context of her character, it can get hard to track what is happening when. The problem becomes more obvious as the multiple plot threads begin to weave into one. At worst, the cut-and-paste style feels like a fun but ultimately unnecessary time sink that stands in the way of the team coming together, which is a shame considering just how satisfying it is when all five of the movie's main protagonists are on the screen with one another. All told, however, the pacing problems are minor in the face of just how of a blast Birds of Prey is to watch. It's the sort of kinetic, high energy romp that comes with built-in replay value, and proves exactly why Harley Quinn has become such an endearing, beloved character in the pop-culture pantheon. If this is the direction the DCEU is headed, the future's looking bright. Disclosure: ViacomCBS is GameSpot's parent company.

Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) Reviews Movie Reviews By Reviewer Type All Critics Top Critics All Audience Verified Audience Page 1 of 20 March 14, 2020 It's just fun: it is raucous, it is intense, it is hard hitting, it is energetic, it is colorful, it is a dang good time at the movies. March 13, 2020 If you happen to enjoy the animated Harley Quinn series on the DC Universe streaming platform, then this movie will be right up your alley. And even though this may not be saying much, this was better than Suicide Squad too. Harley Quinn's first adventure as a headliner is among the DC Extended Universe's finest movies so far, and didn't need the shadow of the Bat looming over it any more than it needed Joker. What Yan and Hodson accomplish with Birds of Prey is the balance that's sometimes lacking in comic book films: They fulfill both the demands of the story and the demands of the characters. March 13, 2020.. often prototypically ineffective comic-book adaptation. March 11, 2020 The hyper-active, chaotic comic book movie I didn't know that I wanted. The cherry on top is the top notch practical stunt work and fights. March 9, 2020 This super violent film has such an atrocious screenplay that I laughed when it was serious and was annoyed when it attempted humor. Why do some women filmmakers think the only way to be successful is to imitate guys? What a wasted opportunity. March 8, 2020 In 2020 the tired comic book movie genre needs something wired like "Birds of Prey. " It's a crude carnival ride; violent, colourful, with subtle and not so subtle elevated empowerment moments. March 6, 2020 An excessive, frazzled tale of hyper-violence that plays out like Tom & Jerry in the colourful and hazardous world of Gotham City March 5, 2020 The characters were good, and can actually get you into this film... a pretty dope movie, I'm happy I sat down and watched it. This is a fun movie, one of my favorite D. C. movies... I was shocked by just how much fun this was, having known nothing about is really an R-rated Batman, a D. Deadpool. Margot Robbie is hilarious with such range... Harley Quinn really finds her feet and moves on from the Joker, and from Suicide Squad, and she is stronger and better for it. It's just a shame that she takes so long to get there. March 3, 2020 Although "Birds of Prey" suffers from an identity issue... the fantabulous highs far outweigh the middling lows... I'm ready for the sequel. March 2, 2020 "Birds of Prey" isn't just female-fronted, it's actually diverse... Even if the story is rather thin, you'll want to keep coming back to it, if only because it might just have one of 2020's best movie moments. February 28, 2020 Bursting with feminine fury and more than a few great moments, Birds of Prey, whilst lacking on story, is a fun romp that allows Harley Quinn a platform to shine again. February 27, 2020 Instead of focusing on the toxic masculinity of male superheroes, Birds of Prey allows women to be in the spotlight without the shackle a male presence. February 26, 2020 starts off with great gusto and energy, literally willing us to get onboard with its maniacal take comic book antiheroism before becoming something decidedly more conventional-and even a bit sentimental February 25, 2020 An extremely rough, clunky script hinders what should have been a much better movie, though the movie is fun enough to overcome some of the needless hurdles. Birds of Prey is a sizable improvement over Suicide Squad but lacks a foolproof plan. Page 1 of 20.

Like several of the movies in the DC superhero multiverse, Harley Quinn's "bad girl" empowerment film isn't as good as it thinks it is. And, just like the franchise, this villains-as-vigilantes flick is constantly adjusting and trying to find the right tone -- but it never strikes the perfect chord. Unlike Man of Steel, Wonder Woman, and Joker -- which strive to make fully realized and empathetic human beings out of comic book characters -- the villains in Birds of Prey remain ludicrous and over-the-top live-action cartoons that seem like they belong in the 1966 Batman TV series. Harley bebops around Gotham, narrating the story with a sassy wiseacre New York accent, adopting a pet hyena, and creating pandemonium by acting completely on impulse -- she blows up a chemical plant and it shoots off fireworks, just like you might see in one of the Looney Tunes cartoons she watches constantly on VHS. Even the storytelling is chaotic: Harley jumps back and forth in time more often than Marty McFly. Crime lord Roman Sionis/Black Mask is ridiculous, too, with comedy being mined from his narcissism. On a dime, Sionis pivots into a sadistic, gruesome psychopath: He doesn't just kill his enemies, he cuts their faces off. And, yes, viewers see that happen. And when he does it to a kid, the filmmakers try to make it funny rather than horrific. That level of dark irreverence manages to work in Deadpool, but it doesn't here. Maybe we're meant to feel as off-balance as Harley herself, but it certainly creates a longing for the days when Tim Burton and Christopher Nolan were telling Gotham's stories. As Harley embraces being her own person and releases her attachment to "Mr. J, " she encounters women who've been forced by tragedy to be self-sufficient and who are struggling to escape being controlled by men. Most of the movie's song choices are literally describing what’s happening at the moment: The most on the nose is when Black Canary sings "It's a Man's World, " which is pretty much the premise of the entire film. The women are empathetic and operate on a sliding scale of good-bad, but all the men are evil, selfish, and/or disappointing. A sexual violence vibe pops up in several scenes, but then it turns out that assault isn't the thug's intent after all. It's a little unclear what that's about -- perhaps to show how some men use sexual discomfort or humiliation to dominate the power dynamic? But when the movie crescendos to a funhouse battle in which the women fight off dozens of faceless, mask-wearing men, it becomes more clear that the last hour and a half has been a metaphor for the sexual and gender assault that many women experience as "life" -- and that they're just swinging and kicking, hoping to live another day. Many teens will see this movie, and -- despite the violence, the unevenness, and the main characters' moral ambiguity -- that might not be a bad thing. Birds of Prey makes clear this unfortunate truth: As a woman, you have to stay on your toes, you have to stay alert, and it's a lot easier to fight off bad men when you're part of a flock.

Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn Whom. Watch'Birds'of'Prey: And'the'Fantabulous'Emancipation'of'One'Harley'Quinn'Online'Promptfile…. [Streaming Full Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn. Starring: Ali Wong, Bojana Novakovic, Charlene Amoia, Chris Messina, Dana Lee, David Bianchi, David Ury, Derek Wilson, Dominic Pace, Ella Jay Basco, Ewan McGregor, Greice Santo, Jenelle McKee, Judy Kain, Jurnee Smollett, Luis Richard Gomez, Margot Robbie, Mary Elizabeth Winstead, Matthew Willig, Michael Masini, Rosie Perez, Sara Montez, Steven Williams Summary: You ever hear the one about the cop, the songbird, the psycho and the mafia princess? Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) is a twisted tale told by Harley herself, as only Harley can tell it. When Gotham’s most nefariously narcissistic villain, Roman Sionis, and his zealous right-hand, Zsasz, put a target You ever hear the one about the cop, the songbird, the psycho and the mafia princess? Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) is a twisted tale told by Harley herself, as only Harley can tell it. When Gotham’s most nefariously narcissistic villain, Roman Sionis, and his zealous right-hand, Zsasz, put a target on a young girl named Cass, the city is turned upside down looking for her. Harley, Huntress, Black Canary and Renee Montoya’s paths collide, and the unlikely foursome have no choice but to team up to take Roman down. … Expand Genre(s): Action, Adventure, Crime Rating: R Runtime: 109 min.

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Synopsis You ever hear the one about the cop, the songbird, the psycho and the mafia princess? “Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn)” is a twisted tale told by Harley herself, as only Harley can tell it. When Gotham’s most nefariously narcissistic villain, Roman Sionis, and his zealous right-hand, Zsasz, put a target on a young girl named Cass, the city is turned upside down looking for her. Harley, Huntress, Black Canary and Renee Montoya’s paths collide, and the unlikely foursome have no choice but to team up to take Roman down. Metrics Opening Weekend: $33, 010, 017 (39. 2% of total gross) Legs: 2. 55 (domestic box office/biggest weekend) Domestic Share: 42. 3% (domestic box office/worldwide) Production Budget: $82, 000, 000 (worldwide box office is 2. 4 times production budget) Theater counts: 4, 236 opening theaters/4, 236 max. theaters, 4. 3 weeks average run per theater Infl. Adj. Dom. BO $84, 151, 162 Latest Ranking on Cumulative Box Office Lists Record Rank Amount All Time Domestic Box Office (Rank 901-1, 000) 920 All Time International Box Office (Rank 801-900) 819 $114, 983, 834 All Time Worldwide Box Office (Rank 801-900) 824 $199, 134, 996 All Time Domestic Box Office for Super Hero Movies 73 All Time International Box Office for Super Hero Movies 68 All Time Worldwide Box Office for Super Hero Movies 71 All Time Domestic Box Office for R Movies (Rank 201-300) 220 All Time International Box Office for R Movies (Rank 101-200) 163 All Time Worldwide Box Office for R Movies (Rank 101-200) 179 See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records. Movie Details Domestic Releases: February 7th, 2020 (Wide) by Warner Bros. February 7th, 2020 (IMAX) by Warner Bros. International Releases: February 5th, 2020 (Wide) ( South Korea) February 6th, 2020 (Wide), released as Birds of Prey e la fantasmagorica rinascita di Harley Quinn ( Italy) February 6th, 2020 (Wide) ( New Zealand) February 6th, 2020 (Wide), released as Хищные птицы: Потрясающая история Харли Квинн ( Russia (CIS)) February 7th, 2020 (Wide) ( Argentina)... Show all releases MPAA Rating: R for strong violence and language throughout, and some sexual and drug material. (Rating bulletin 2609 (Cert #52510), 12/18/2019) Running Time: 109 minutes Franchise: DC Extended Universe Comparisons: Blockbusters, 2020 vs. Sonic The Hedgehog Create your own comparison chart… Keywords: 3-D, IMAX: DMR, F-Rated, Relationships Gone Wrong, Enemies Forced to Work Together, Ensemble, LGBT, D. C. Comics Source: Based on Comic/Graphic Novel Genre: Action Production Method: Live Action Creative Type: Super Hero Production Companies: LuckyChap Entertainment, Kroll and Company Entertainment, Clubhouse Pictures, Warner Bros. Production Countries: United States Languages: English Ranking on other Records and Milestones Record Rank Amount Chart Date Days In Release Washington's Birthday (All Movies, 3-Day) 59 $17, 172, 686 Feb 14, 2020 10 Washington's Birthday (All Movies, 3-Day, Inflation Adjusted) 111 $17, 172, 685 Biggest Domestic February Weekend 33 $33, 010, 017 Feb 7, 2020 3 Top 2020 Theater Average 28 $7, 793 Widest Opening Weekend 56 4, 236 Biggest Domestic February Day 85 $12, 964, 681 1 For a description of the different acting role types we use to categorize acting perfomances, see our Glossary. The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits. March 1st, 2020 The Invisible Man will debut this weekend with $29 million, according to Universal ’s Sunday morning projection. That’s enough to make it the highest-grossing horror movie of 2020 after just three days in release, and is well ahead of predictions. The result is helped considerably by strong reviews, with the film earning a B+ from CinemaScore, and a 90% critics’ score and 89% audience score from Rotten Tomatoes. More... February 29th, 2020 The Invisible Man opened with $9. 8 million on Friday, which means it is the sixth-biggest horror film released in 2020 so far after just one day in theaters. It is projected to be in first place by the end of the weekend with $26 million, topping predictions, albeit by a very small margin. The film’s reviews remain excellent and it earned a B plus from CinemaScore. That is stellar, for a horror movie. It would be okay for an action movie and terrible for a family film / faith-based release, but it is amazing for a horror film. February 28th, 2020 It is the final weekend of the month and there’s only one wide release, The Invisible Man, which is the eighth horror film released in 2020 so far. This is going to hurt its box office potential; however, its reviews will be a major selling point, assuming audiences like the movie as much as critics do. This weekend last year was the first weekend of March. The box office was led by How to Train Your Dragon: The Hidden World, while Tyler Perry’s A Madea Family Funeral made it a close race. Unless The Invisible Man is a surprise $40 million hit, 2020 has almost no chance of matching last year’s box office. February 27th, 2020 Sonic The Hedgehog remained in first place on the international chart this past weekend earning $38. 3 million in 56 markets for totals of $96. 5 million internationally and $203. 0 million worldwide. It’s only major market opening of the weekend came in Russia where the film earned fourth place with $3. 84 million on 2, 042 screens over the weekend for a total opening of $6. 62 million. I think Paramount would have been relatively happy had the film finished with just over $200 million worldwide, so this is a fantastic run so far. February 25th, 2020 It was a mixed weekend, but at least there was a relatively close race for top spot. This close race happened in part because The Call of the Wild beat expectations by a huge margin, but also because Sonic the Hedgehog fell faster than anticipated. This left the overall box office down 34% from last weekend to just $102 million, but drop-offs like this are normal for post-holiday weekend. Unfortunately, this was also 19% lower than the same weekend last year and this isn’t normal. Year-to-date, 2020 still has a lead over 2019, but it has shrunk to 6. 2% or $82 million at $1. 41 billion to $1. 33 billion. Hopefully this recent weakness is only temporary. February 23rd, 2020 Sonic the Hedgehog will remain in first place over the full weekend, albeit with a weaker-than-predicted sophomore stint of $26. 3 million. That said, the film already has $106. 6 million after just two weeks of release, which is likely more than Paramount thought it would earn in total. It is still too early to tell where the film will finish internationally, but there is also reasons to be optimistic there, as it has nearly $100 million in just two weeks of release, including $38. 3 million in 56 markets this weekend. This includes a first place opening in Russia with $6. 3 million on 1, 800 screens, which is an impressive debut for that market and this time of year. February 22nd, 2020 The Call of the Wild really bounced back from Thursday ’s previews to earn $8. 05 million on Friday. The film is projected to earn $24 million to $25 million over the weekend, which is much better than predicted and puts it in a virtual tie with Sonic the Hedgehog for top spot. It is likely to have better legs than most new releases, because of its target audiences, which is a mix of families and older moviegoers who would be fans of the original novel. Additionally, its reviews are good, but not great, and it earned an A minus from CinemaScore, which is also good, but not great, for a family film. Unfortunately, it still has that $125 million production budget to deal with, so breaking even is very unlikely. Maybe it can save face though. February 20th, 2020 It’s a post-holiday weekend, so we are not expecting much at the box office. The Call of the Wild is earning good reviews, but not great reviews, while its buzz is far too quiet for its massive production budget. On the other hand, Brahms: The Boy II is a low-budget horror movie earning terrible reviews and frankly I’m sick of talking about these movies. Seriously. We are less than two months into the year and we’ve already at least four other low-budget horror movies to come out. I don’t want to hear anyone complain about too many super hero movies ever again. … Moving on. Neither of these two films are expected to challenge Sonic the Hedgehog for top spot on the box office chart. In fact, I’m not convinced Brahms will open in the top five. This weekend last year, the final installment of the How to Train Your Dragon opened with just over $55 million. There’s no way the box office will match that this year and 2020 is going to lose in the year-over-year competition unless the holdovers hold on a lot better than anticipated. Sonic The Hedgehog opened with $43 million in 40 markets for an early worldwide total of just over $101 million. This is a fantastic start for a film that cost $90 million to make and there’s already talk of not just a sequel, but a Sonic Cinematic Universe. The film’s biggest individual market was Mexico, where it opened with $6. 82 million, while the U. K. was right behind with $6. 17 million on 619 screens. February 19th, 2020 The long weekend turned out to be a lot more lucrative than many predicted, especially on the top. Sonic the Hedgehog broke records for a video game adaptation opening with $58. 02 million over the three-day weekend and $70. 00 million including Monday. It wasn’t the only success story of the weekend, as Fantasy Island did well for a low-budget horror movie and The Photograph did well enough to break even, eventually. The overall box office rose dramatically from last weekend, up 64%. However, it was a holiday weekend, so impressive growth was expected. More importantly, the box office was up 26% from the same weekend last year. And while the misalignment in Valentine’s Day did have an effect, this is still a good result for the box office. 2020 has opened a nearly $100 million lead on 2019, up by $99 million or 8. 4% at $1. 28 billion to $1. 18 billion. A few more weeks like this and I will start to become optimistic. February 16th, 2020 Sonic the Hedgehog was in a close race with Detective Pikachu for the best weekend by a video game adaptation of all time, based on Friday ’s estimates, however, that has changed. The film’s opening weekend estimates are $57 million over three days and $68 million over four, which is well above Detective Pikachu ’s three-day opening weekend of $54. 37 million. That said, this film’s reviews have slipped just below the reviews Detective Pikachu earned and Detective Pikachu didn’t open on a holiday, so that does make a difference. Regardless of whether or not you consider Sonic the Hedgehog to be the true video game box office champion, it is smashing predictions. Interestingly, the films demographics was 56% general audiences and only 44% families. Perhaps adult fans of the video game franchise decided to check out the movie for themselves. Boys under 12 outnumbered girls under 12 by a 69% to 31% margin, so this one is definitely leaning male. We have no international details, but the film is reportedly earning $100 million globally, which is a fantastic start for a movie that cost $90 million to make. I suspect Paramount is already working on a sequel. February 15th, 2020 Love is in the air and it is moving fast. Sonic the Hedgehog decimated the competition, and predictions, earning $21. 0 million on Friday. To put this into perspective, the next-best film is projected to earn just over $21 million over the four-day weekend. The film’s reviews have slipped, but they do remain in the overall positive level, while its A from CinemaScore is going to be a big help going forward. Paramount is projecting $60. 0 million for the four-day weekend, but I suspect they are being overly cautious. Either way, it is clearly the studio’s biggest hit in over a year and will become their first $100-million movie since Bumblebee. If the estimate holds, it will also be the best single day for a movie based on a game, bettering the $20. 575 million earned by Pokémon: Detective Pikachu on its opening day back in September. February 13th, 2020 Valentine’s Day and Presidents Day combine into one long weekend. It’s a great early weekend of the year and there are four films hoping to take advantage of the holiday to get off to a fast start. Unfortunately, four films is too many for all of them to succeed and it looks like one or two will fall between the cracks. Sonic the Hedgehog is the biggest release of the week and will likely earn more during its opening weekend than any of the three other films will earn in total. This includes The Photograph, the only new release that is earning overwhelmingly positive reviews. It looks like Fantasy Island will have some of the worst reviews of the year. Finally, Downhill has the quietest buzz and that’s going to kill it more than its mixed reviews will. Meanwhile, this weekend last year, Alita: Battle Angel opened with $28. 5 million, while The Lego Movie 2: The Second Part earned $20. 8 million during its sophomore stint. Sonic the Hedgehog should top that with ease. In fact, there are some who think it will top those two films’ combined weekend hauls. If so, then 2020 will return to its winning ways. Birds of Prey debuted in first place on the international chart with $46. 5 million on 23, 010 screens in 78 markets. This includes some impressive openings, like its first place debuts in Mexico, where it earned $4. 18 million on 3, 915 screens. It also earned first place in Russia with $3. 81 million on 1, 881 screens and in Brazil with $2. 8 million on 1, 506. On the other hand, the film had to settle for second place in the U. with $3. 7 million on 1, 260 screens and in South Korea with $1. 30 million on 946 screens over the weekend for a total opening of $1. 98 million. The film could still break even, if it has long legs in some of the major markets, and if it can increase the home market revenue of some of its other D. E. U. films. February 11th, 2020 It was bound to happen, I was just hoping it wouldn’t happen this soon, but 2020 suffered its first loss in the year-over-year comparison. Birds of Prey failed to live up to the very low end of expectations opening with just $33 million. On the positive side, the holdovers held on really well and that helped limit losses. In fact, the overall box office was $95 million this weekend, up 18% from last weekend. That said, this is still down 16% from the same weekend last year and this number is a lot more important. Year-to-date, 2020 is still ahead of 2019 by $62 million or 6. 2% at $1. 07 billion to $1. 01 billion, so we clearly shouldn’t be panicking this early on, but there are some troubling signs at the box office. February 9th, 2020 Birds of Prey is missing even the very low end of expectations with an estimated opening weekend of $33. 25 million. The film is earning good reviews and a decent B plus rating from CinemaScore, and it is also the cheapest installment in the D. U., so this start isn’t disastrous. On the other hand, it is struggling more internationally with just $48 million on 22, 362 screens in 78 markets. Part of this has to do with the coronavirus, which has caused major disruptions in many Asian countries. And I’m not just talking about the entertainment industry. So far close to 1, 000 people have died, which is a major disaster. Although to put this into perspective, this flu season, about 10, 000 people have died in the United States alone. February 8th, 2020 Ouch. Birds of Prey only managed $13. 03 million on Friday, putting it on pace for just $32 million to $33 million over the full weekend. This is miles below expectations; it’s even lower than projections based on Thursday’s previews. However, it isn’t a bad opening for a film that cost $75 million to make. Add in the film’s reviews and its B plus from CinemaScore and it should have decent legs, especially with the holiday next weekend. It will be the weakest installment in the D. and I think this is clear evidence that making the film R-rated was a mistake. February 7th, 2020 Birds of Prey started its box office run earning $4 million in previews on Thursday. This isn’t great. I was really hoping for closer to $5 million. That said, matching our prediction isn’t out of the question, as the film’s audience is tilting heavier towards women and women are less likely to race out to see a movie during previews, or even during its opening weekend. The film’s reviews are still in the mid-80% range and assuming audiences like it as much as critics did, it will earn enough to cover its production budget sooner rather than later. It’s the first weekend of February and the only wide release is Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn), the latest installment in the D. There is no question that it will earn first place over the weekend. There is some question about how well it will do during its opening weekend, as ticket pre-sales have been weaker than anticipated. This weekend last year, The Lego Movie 2: The Second Part opened with $34. 12 million. Birds of Prey will top that; however, it needs to come close to matching the combined openings of last year’s top two films, The Lego Movie 2 and What Men Want, in order to have a real shot at leading 2020 to a victory in the year-over-year competition. That doesn’t seem as likely as it did last week. February 1st, 2020 We had a great start to the year, sort of. Most films that opened / expanded wide in January are going to miss expectations; however, Bad Boys for Life and 1917 are so much stronger than anticipated that they alone will more than make up the difference. Looking forward, Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) is almost guaranteed to be the biggest hit of the month. There are two questions. Firstly, is it going to top Bad Boys for Life and become the biggest hit of the year so far? Secondly, is it going to be the only $100 million hit of month? Hopefully the answers to those questions are yes and no respectively, but no to both is would still be good news overall. Sonic the Hedgehog is looking better than before and frankly Paramount needs a hit after a very troubling 2019. Meanwhile, there are several midlevel hits that could help the overall box office. Last February was a mixed month with some hits, like How to Train Your Dragon: The Hidden World, but some disappointing results as well, like from The Lego Movie 2: The Second Part. I think it will be a close race in the year-over-year competition with 2020 winning some weeks and losing others. January 10th, 2020 Action movie starring Margot Robbie opens February 7... Full Movie Details. October 8th, 2019 Action movie with an ensemble cast led by Margot Robbie opens February 7... Full Movie Details. Compare this performance with other movies… Domestic Cumulative Box Office Records Record Rank Revenue All Time Domestic Inflation Adjusted Box Office (Rank 1, 601-1, 700) 1, 648 All Time Domestic Non-Sequel Box Office (Rank 601-700) 668 Top 2020 Movies at the Domestic Box Office All Time Domestic Box Office for Based on Comic/Graphic Novel Movies 86 All Time Domestic Box Office for Live Action Movies (Rank 601-700) 687 All Time Domestic Box Office for Action Movies (Rank 101-200) 198 All Time Domestic Box Office for Warner Bros. Movies (Rank 101-200) 159 Weekend Box Office Performance Date Rank Gross% Change Theaters Per Theater Total Gross Week 2 -48% $4, 054 $59, 330, 988 Feb 21, 2020 $6, 802, 003 -60% 3, 565 $1, 908 $72, 326, 018 Feb 28, 2020 6 $4, 104, 283 -40% 3, 124 $1, 314 $78, 852, 022 4 Mar 6, 2020 8 $2, 137, 794 2, 173 $984 $82, 538, 376 5 Mar 13, 2020 11 $571, 487 -73% 1, 014 $564 $84, 080, 044 Daily Box Office Performance Date Rank Gross%YD%LW Theaters Per Theater Total Gross Days Feb 6, 2020 P $4, 000, 000 0 $3, 061 Feb 8, 2020 $12, 193, 732 -6% $2, 879 $25, 158, 413 Feb 9, 2020 $7, 851, 604 -36% $1, 854 Feb 10, 2020 $2, 160, 176 -72% $510 $35, 170, 193 Feb 11, 2020 $3, 381, 368 +57% $798 $38, 551, 561 Feb 12, 2020 $1, 826, 055 -46% $431 $40, 377, 616 Feb 13, 2020 $1, 780, 686 -2% $420 $42, 158, 302 7 $6, 277, 910 +253% -52% $1, 482 $48, 436, 212 Feb 15, 2020 $6, 253, 413 n/c -49% $1, 476 $54, 689, 625 9 Feb 16, 2020 $4, 641, 363 -26% -41% $1, 096 Feb 17, 2020 $2, 528, 183 +17% $597 $61, 859, 171 Feb 18, 2020 $1, 667, 914 -34% -51% $394 $63, 527, 085 12 Feb 19, 2020 $1, 006, 198 -45% $238 $64, 533, 283 13 Feb 20, 2020 $990, 732 -44% $234 $65, 524, 015 14 $1, 910, 181 +93% -70% $536 $67, 434, 196 15 Feb 22, 2020 $2, 977, 704 +56% $835 $70, 411, 900 16 Feb 23, 2020 $1, 914, 118 -59% $537 17 Feb 24, 2020 $535, 897 -79% $150 $72, 861, 915 18 Feb 25, 2020 $850, 143 +59% $73, 712, 058 19 Feb 26, 2020 $538, 119 -37% -47% $151 $74, 250, 177 20 Feb 27, 2020 $497, 562 -8% -50% $140 $74, 747, 739 21 $1, 084, 443 +118% -43% $347 $75, 832, 182 22 Feb 29, 2020 $1, 830, 706 +69% -39% $586 $77, 662, 888 23 Mar 1, 2020 $1, 189, 134 -35% -38% $381 24 Mar 2, 2020 $340, 027 -71% $109 $79, 192, 049 25 Mar 3, 2020 $540, 174 $173 $79, 732, 223 26 Mar 4, 2020 $345, 385 $111 $80, 077, 608 27 Mar 5, 2020 $322, 974 $103 $80, 400, 582 $579, 441 +79% $267 $80, 980, 023 29 Mar 7, 2020 $964, 612 +66% $444 $81, 944, 635 30 Mar 8, 2020 $593, 741 $273 31 Mar 9, 2020 $233, 534 -61% -31% $107 $82, 771, 910 32 Mar 10, 2020 $340, 781 +46% $157 $83, 112, 691 Mar 11, 2020 $235, 234 -32% $108 $83, 347, 925 34 Mar 12, 2020 $160, 632 $74 $83, 508, 557 35 $169, 007 +5% $78 $83, 677, 564 36 Mar 14, 2020 $247, 903 +47% -74% $114 $83, 925, 467 37 Mar 15, 2020 $154, 577 $71 38 Mar 16, 2020 $55, 306 -64% -76% $25 $84, 135, 350 39 Mar 17, 2020 $15, 812 -95% $7 40 Weekly Box Office Performance $9, 952 $23, 365, 713 $5, 516 $9, 223, 724 $2, 587 $5, 652, 843 $1, 809 $3, 107, 975 $1, 430 Box Office Summary Per Territory Territory Release Date Opening Weekend Opening Weekend Theaters Maximum Theaters Theatrical Engagements Total Box Office Report Date Argentina 2/7/2020 $436, 326 215 485 $969, 902 3/14/2020 Australia * $2, 571, 817 528 1847 $6, 678, 004 3/17/2020 Brazil $2, 800, 000 1506 3066 $7, 080, 000 3/11/2020 Bulgaria $41, 836 $118, 954 Czech Republic $212, 802 145 382 $641, 762 France $2, 610, 000 593 1934 $8, 800, 000 Germany $1, 600, 000 714 1674 $4, 600, 000 Hong Kong $0 $1, 659, 436 India $418, 637 2/29/2020 Indonesia $2, 400, 000 1298 $3, 730, 000 Italy 2/6/2020 $1, 300, 042 520 $2, 724, 422 3/10/2020 Japan 3/20/2020 $0 0 0 0 $0 Lithuania $34, 390 $91, 560 3/4/2020 Mexico $4, 180, 219 3915 5145 $10, 534, 926 3/16/2020 Netherlands $586, 752 115 453 $1, 591, 308 3/9/2020 New Zealand $302, 890 92 467 $884, 339 Poland 242 484 $1, 228, 294 Portugal $333, 590 88 388 $1, 026, 979 Romania $180, 985 127 364 $515, 512 Russia (CIS) $3, 806, 255 1881 1906 6088 $7, 000, 000 Slovakia $78, 708 62 146 $207, 265 South Korea 2/5/2020 $1, 298, 738 946 1511 $2, 984, 212 Spain $1, 372, 418 334 338 1400 $3, 500, 000 Taiwan $1, 560, 000 246 $3, 700, 000 Turkey $404, 653 450 1072 $1, 071, 690 3/13/2020 United Kingdom $3, 657, 283 629 2419 $11, 300, 000 Rest of World $31, 926, 632 International Total $114, 983, 834 *) For these territories the Opening Weekend Theaters, Maximum Theaters and Theatrical Engagement values are based on screens instead of theaters. International Cumulative Box Office Records All Time International Non-Sequel Box Office (Rank 501-600) 556 Top 2020 Movies at the International Box Office All Time International Box Office for Based on Comic/Graphic Novel Movies 87 All Time International Box Office for Live Action Movies (Rank 501-600) 572 All Time International Box Office for Action Movies (Rank 201-300) 237 All Time International Box Office for Warner Bros. Movies (Rank 101-200) 129 Worldwide Cumulative Box Office Records All Time Worldwide Non-Sequel Box Office (Rank 501-600) 573 Top 2020 Movies at the Worldwide Box Office All Time Worldwide Box Office for Based on Comic/Graphic Novel Movies All Time Worldwide Box Office for Live Action Movies (Rank 501-600) 583 All Time Worldwide Box Office for Action Movies (Rank 201-300) All Time Worldwide Box Office for Warner Bros. Movies (Rank 101-200) 135 Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at.

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